My New Obsession: Fancy Notebooks

From top, left to right: Field Notes Byline Reporter's Notebook, Leuchtturm 1917 Jottbook, Clairefontaine, Apica CD Notebook, Life Notebook, Rhodia Meeting Book, Nanami Paper's A5 The Writer Notebook, Midori MD Notebook, and the Maruman Mnemosyne 19…

From top, left to right: Field Notes Byline Reporter's Notebook, Leuchtturm 1917 Jottbook, Clairefontaine, Apica CD Notebook, Life Notebook, Rhodia Meeting Book, Nanami Paper's A5 The Writer Notebook, Midori MD Notebook, and the Maruman Mnemosyne 196 A5 Notebook.

Back in the day, I took tai chi classes from an older instructor, or sifu, in Hoboken, New Jersey, who, among other things, also gave me a short course on firearms. He invited me and my then-girlfriend out to his house in the country, where we spent time shooting all kinds of handgun and rifles at targets.

Once I happened to mention that I had bought a fountain pen. He was immediately intrigued, and showed me that he carried one every day. He preferred them over all other writing instruments. "If you have even one," he said, "you should write with it every day."

Well, I didn't. I tried, I really did. But I found that pen to be too fussy to be an everyday writing tool. Eventually the nib of the pen would stop writing and I'd try to get it to start up again. It worked for a little while, then stopped. I was forever setting it aside in favor of a handy ballpoint, and the ink would proceed to dry in the fountain pen and need to be cleaned out laboriously at a later date. Disgusted, I'd move on, leaving the ink blotches and ink-stained fingers behind me. A year or so later, I'd buy a new fountain pen, get fired up to use it, and I'd have the same crappy experience.

Hence my love/hate relationship with fountain pens.

Not long ago, I was telling another friend why I'd given up on the lovely pens I'd bought over the years. (This guy was not a tai chi instructor, just an ordinary pen geek.) He said, "Well, what kind of paper are you using to write on?"

That blew my mind. Turns out paper quality strongly impacts fountain pen use. If the paper's crappy, the fountain pen tears it up as it writes, and the paper fibers clog the pen nib. Or the paper just gets soaked with the ink and bleeds through. And in some rare cases, the pen nib just needs to be tuned up by someone who knows what the hell they're doing.

Which led me to research better quality paper and notebooks. I figure I could spring for this kind of luxury since it's ostensibly related to my profession. I'm currently writing my way through a lot of different notebooks. Suffice to say that the paper in these books is smoother and stronger. They don't shred under the pens, and they don't bleed. In the parlance of stationery geekdom, these notebooks are "fountain pen friendly." Well, wouldn't you know, these old pens of mine are behaving like totally different instruments. It's amazing.

I'll share more about this development soon enough, but the current batch of notebooks are shown above. Most are destined to be the daily notebook I keep on my desk. Some are already dedicated to one specific project or client. Most are A5-sized notebooks, which is the size I like best for my desk and which is roughly 6 X 8.25 inches in size. I've bought them variously at Amazon, Nanami Paper, and Goulet Pens. More on the latter two indie businesses one of these days.


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New Bookplates for My Fibonacci Book!

Two different styles of bookplate.

Two different styles of bookplate.

Many authors enjoy printing custom bookplates to give to fans of their books. I’ve never done so until now.

A friend recently returned from a trip to Tampa-St. Pete with the news that my Fibonacci book was being sold in the gift shop of the Salvador Dali Museum. I confess I had to research the venue, since I was unaware that the flamboyant surrealist had anything to do with Florida.

Turns out his work was eagerly collected by a pair of philanthropists who launched the museum in their home state of Ohio in 1971. The collection, which contains the largest grouping of Dali’s work outside Europe, moved to St. Pete in 1982. It took me a while to grasp that the gift shop was carrying my book because of its association with the so-called golden ratio, which Dali supposedly used in his work.

Shops like this are known as special-sales venues in the traditional book business. They sell books, but they’re not bookstores. And that’s usually a good thing for authors because within those four walls competition from other books is limited, and gift shop buyers have an almost moral imperative to buy something.

Since I was unlikely to get to St. Pete anytime soon to sign those books in person, I wrote the gift shop asking them if they were interested in signed bookplates. They said they could use all I could send. The book apparently does well there.

Thing was, I didn’t have any bookplates. I’d tried to design some via Vistaprint a few years ago, but their template and online designer was too complicated for my limited skills. The one on Moo.com worked really well, and I was ordering not one design, but two, in less than hour. Really, all I had to do was drop a JPG file of my book cover into the template, and add some text. Specifically, I used their Custom Rectangular Stickers. Since their website can be overwhelming, I’m providing the direct link here.

The order took a few weeks to get here. (All print jobs take forever unless you spring for rush shipping.) The resulting bookplates are pretty nice. The image of the book cover is reproduced crisply, and the paper is suitably sticky.

The only cons: I was expecting stickers about the size of those “Hi, My Name Is…” stickers, but at 3.30-by-2.17 inches, these are just slightly larger than a business card. I foolishly didn’t use a ruler to check the size before I ordered, so that’s on me, not that it would have mattered much. These are the only rectangular sized stickers Moo offers, so if I wanted to use their design engine, this size came with the territory.

Because of their size, I thought about signing my name with a Sakura Pigma Micron, which has a very fine tip. But the stickers’ waxy coating wouldn’t take the ink. So I went with a plain ol’ Sharpie instead. I think the results are pretty nice, but I prefer the horizontal design over the vertical.

Would I order these again? If I can figure out how to work with Vistaprint, probably not. I’m probably still unreasonably attached to creating a 4-by-3-inch sticker. But these designs are saved now to my Moo account, so it would be ridiculously easy to order more if the Dali Museum—or any other venue—wanted some more. And the price is $17 per 50, even less if I were to order in bulk. (The price-per-sticker drops from US$0.33 to US$0.27 if you order 400.) It’s hard to argue with the easy thing.

I may get some just to carry with my business cards. I have noticed that whenever Denise hands out bookplates to strangers, they seem genuinely excited. Bookplates drive action in a way bookmarks never can. Armed with a signed plate, you have a collectible in the making. All you need to do is buy that darn book.

 If you are an author, you have one other calculation you ought to consider. As I mentioned above, the price of these bookplates can get close to a quarter. That’s not dirt-cheap by any means. Most authors are earning very little on royalties. I earn US$0.89 on every copy sold of this picture book. If I routinely gave away a 33-cent bookplate to everyone I met, it would mean that my per-book-earnings were dropping to 56 cents a book. That’s not great. But all authors like having swag to share with fans, and I think autographed bookplates are more meaningful than handing out bookmarks to anyone who breathes. And yes, under US tax law what you spend on bookplates and other promotional materials can be tax-deductible. So there’s that. The cost should not prevent you from having them made; it’s merely a consideration, and a warning not to go nuts.


Yes, I am trying to post here more often. Thank you for noticing. If you want to sign up for my newsletter and claim your free ebook, go here.

 

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